Captain Cold and The Rouges have Conquered Central City and The Flash is no where to be found, Today we Explore and Explain just how we got here and what it means going forward.
Today we explore and explain the events of Batman #82 and discussion how this Tom King run could end and how it’s results will spill into the pages of the upcoming Batman and Catwoman followup mini series.
Written by: Dave Cook
Art by: Craig Paton
Letters by: Robin Jones
Flats by: Ludwig Olimba
Some of the best comic books ever written come from the big two, Marvel and DC, but more often than not there are some really great hidden gems lying in the independent comic scene. One of those is the new book “Killtopia” by Dave Cook and Craig Paton. This book is an amazing amalgamation of Akira, The Hunger Games, Futurama, and pretty much any other nerdy/futuristic/funny/action movie or tv show that you could think of. This book is funny, creative, action packed, dark, and somehow also a whole lot of fun.
I love the idea of exploring a battle royale scenario in a comic book and I hope to see where that goes in the following issue of this story. The universe is set up really well and we get a good look at the world that these characters occupy, and it’s easy to tell how this world has changed the characters into who they are. The Wreckers are an interesting concept and the diversity in personalities of the many wreckers that we meet in this issue alone are really cool.
Our main character Shinji is relatable and has an endearing motivation for his actions. He’s definitely a character that I’d like to follow around and see where his life goes. The first sentient mech Crash turns out to be a bit of a sidekick character, and so far I’m really enjoying his characterization. I’m a sucker for a badass lead dude with a robot sidekick/best friend, so I was hooked from the moment they met. The character Stiletto is a cool chick that seems like she could either be a really cool character that you love or a really great antagonist that you can’t help but hate. I’m excited to see how she factors into things, and overall I like the direction that the story is headed.
This comic is really well written and the artwork is some of my favorite that I’ve seen in years. This book is incredibly professional and it gives off feelings of both punk rock and modern pop. I really dig the style of this book and I can’t wait to read the next issue.
Writer: Tom Taylor
Artist: Trevor Hairsine & Neil Edwards
Colors: Rain Beredo
Letters: Saida Temofonte
Editor: Ben Abernathy
All hope is lost when Superman sacrifices himself to stop the fastest zombie alive. With that being said, he says goodbye to his son, his mother, and his wife Lois Lane along with his adoptive home world. That is the price of being earth’s champion. Our Man of Steel flies into the deepest darkest voids of space hoping to fade into that good night, expelling all of his heat vision so he can float powerless into the infinite black.
We start this issue with Diana pounding away with a hammer and anvil forging some kind of God-killing weapon. Moments surrounding our fallen Kryptonian comes hurling towards earth not bringing hope, but fear and death. Superman fallen in the previous issue to the anti-life infection, is coming to kill the rest of humanity. Wonder Woman, the Greek goddess, the God Killer has something to say about that. This issue sets up the battle of the heavy hitters; only one will be left standing.
This entire mini series has had many fans (myself included) reaching for the tissue box. It is deeply touching and compelling this issue is no different. Tom Taylor (Injustice, X-Men Red) is firing on all cylinders. This whole series has been so fresh and creative with emotional writing along with paralyzing and terrifying action scenes, which make this a recipe for one of the best limited runs of the decade.
Today We Explore the Early History of Wallace West aka Kid Flash
Adam Glass, writer
Bernard Chang, art
Marcelo Maiolo, colors
Rob Leigh, letters
This issue begins, D’Jinn captures Damian and places him in a cell with the other members of the Teen Titans. The next sequence reveals that Roundhouse is behind this ploy to get back at Damian for the ways he’s manipulated the Teen Titans. The other members of the Teen Titans are confused to why they too were captured. Roundhouse states that it was to save them from themselves because they have been so easily manipulated by Damian. The issue ends with a cliffhanger as Roundhouse uses the ring belonging to D’Jinn and accidentally sends her into the ring, which could mean that she trapped forever!
The story moves from topic to topic with fluidity, which keeps the reader engaged. However, the tension in this story hangs on why Roundhouse captured Damian and the Teen Titans. He reveals that he has held on to anger he felt due to Damian’s negligence that contributed to the death of his sister, Claire. Roundhouse states that although it was accidental, Damian did not return to see if he could rescue her. This motivation feels authentic and also connects with what we know about Damian.
The confrontation between Roundhouse and Damian is a potential game-changer for Damian’s relationship with the team. Damian tries to play the empathy card and Roundhouse calls him out. These types of exchanges helps this book feel authentic because the tackle important issues in relationships.
The art is strong and it supports the emotional atmosphere in each sequence. The bold lines and detailed emotions are evident when Crush breaks free from her chains and attacks Roundhouse. The reader can actually feel the fear the rest of the Teen Titans felt for Roundhouse as he is assaulted.
Overall = 9/10
Teen Titans continues to be one of the best books DC is publishing currently. The exchanges between characters are emotional and authentic. The solutions are not easy to identify, which feels like real life. I highly recommend this book to fans of the Teen Titans and DC Comics.
Peter J. Tomasi, writer
Doug Mahnke, pencils
Keith Champagne & Christain Alamy, inks
David Baron, colors
Rob Leigh, letters
In the previous issue, Batman confronts Mr. Freeze, attacks, which leads to an action-packed high-speed chase over a frozen lake bed. Mr. Freeze gets away; however, Batman rescues three women from Freeze’s hideout who were previously captured and frozen. This issue, Batman continues to assess and investigate the evidence he gathered during his previous encounter with Freeze. Meanwhile, Mr. Freeze helps his wife Nora make the transition back to full consciousness. She is shocked thinking that she was dead due to cancer. Mr. Freeze instructs her that he made a great sacrifice to keep her alive.
This story hinges on the dynamic between Nora and Mr. Freeze and the audience connecting with Mr. Freeze’s motives for keeping Nora alive. This part of the story is grounded in Mr. Freeze’s reality; that he couldn’t envision life without Nora and that’s why he went to the extreme of freezing her. The connection between the pair feels real but rushed. At the end of the issue Freeze and Nora are pictured breaking into Wayne enterprises together. It’s a hard sell for me. How could Nora be able to make an adjustment from being frozen and living in a tube to participating in an attack on a building?
The investigation work in the Batcave and later at Wayne enterprises is very interesting in it’s analysis of Freeze’s technology and builds heavily on the lore that Batman is DC’s greatest detective. The strength of this sequence to the methodical and careful approach Batman employs. It’s very interesting to see Batman uncover and peace together the evidence.
The art in this issue is solid. Visually, the half panel that pictures Nora and Freeze embracing once she’s fully awake, is the highlight of the issue. I struggled to differentiate Alred while he was wearing The Flash’ mask but it was funny and potentially layered, as The Flash is a good detective, as well.
This issue is another classic Batman investigation story. The twist involving Freeze, his advanced use of technology, and his connection to the larger Year of the Villain storyline is interesting. The connections to Nora’s past and her battle with cancer give the issue emotional depth. I recommend this book to fans of the classic Batman stories.
Writers: Kelly Sue DeConnick & Vita AyalaArtist: Victor Ibanez Colorist: Jay David RamosLetters: Clayton Cowles
Ever since I was a kid Aquaman has been my favorite superhero. This didn’t necessarily make me the coolest kid in the world, but clearly I was ahead of my time. He’s starred in a billion dollar movie and his comics are some of the best on the shelves. Aquaman Annual #2 is no exception. Kelly Sue DeConnick & Vita Ayala tell a charming story that plays out like a bottle episode of a TV show. I love Annual issues because whatever is going on in the main book (A LOT), it gives the writers an opportunity to slow down and tell a standalone story. This gives the reader an opportunity to step back from a big plot and just enjoy themselves. The entire issue takes place in Amnesty Bay after the Legion Of Doom’s symbol has filled the skies across the world. The citizens of the bay are on edge, but they have Aquaman and Aqualad (Jackson Hyde) there to keep the peace. DeConnick & Ayala really do an excellent job bringing Arthur’s voice alive. He’s not a king anymore, but you can still see how much a leader he is. I feel like often times writers present Arthur as a tortured soul trying to be a king, but now he’s accepted where he’s at and he’s just a powerful man that wants to be a light for other people. This issue also gives us some insight into how the old gods are getting along with the villagers. There are obviously some growing pains that go along with having immortal deities living in your town. We also get a great story about Arthur’s dog salty. I won’t spoil that one, but it didn’t go where I thought it would. DeConnick & Ayala go out of their way to show the effect Arthur has on those around him, and I couldn’t be happier with the direction they are taking this character. I also want to shout out their choice to bring Jackson Hyde into the fold (a few issues ago). I love that he’s with Arthur and learning what it takes to have the Aqua name. I’m always a fan of seeing a hero with the same skin color I do. Representation is important and Jackson would’ve made a big difference to me 15 years ago when I was a kid. I’m glad I get to read about him now. The pacing of this issue is perfect. There are surprises, scares, and genuine sweet moments. Victor Ibanez and Jay David Ramos do a beautiful job bringing these characters to life. The sky is dark Amnesty Bay and it’s an image that looms large in every panel. The last page of this issue is a gorgeous example of what this art team is able to do. If I have the opportunity to buy that page I’ll take it. The lettering is perfect. The reason for this is the incredible Clayton Cowles. He’s a busy man and we are all the better because of it. I also want to say Sea Daddy is a thing now. He’s canon, and I couldn’t be happier with that choice. It’s clear the Legion Of Doom is going to have a major impact on the universe, but this incredible team gave us all a moment to slow down, breathe, and enjoy the little town that is Amnesty Bay.
Written by: Scott Snyder & Kyle Higgins
Art by: Javier Fernandez
Colors by: Alex Guimarães
Letters by: Clayton Cowles
Marvel What If? Was easily my favorite comic book when I was a kid. I loved the idea of alternate realities and how everything can change if one thing goes differently than it originally did. Ever since, I have always clamored for a DC book of the same vein, and now we finally get it with “Tales of the Dark Multiverse.” In this book, we take a tour through the dark multiverse and see how famous DC storylines throughout history unfolded differently in the Dark Multiverse. In this issue, we take a look at the Batman: Knightfall storyline, and see what would have happened if Azrael had defeated Bruce Wayne and Bane to become Gotham’s permanent new Batman.
Jean-Paul Valley is a character that I think hasn’t gotten the exploration that he deserves, as I feel he’s got an interesting story and dynamic with justice. I was glad to see him get a spotlight in Justice League Odyssey, but outside of that he seems like a forgotten character. Knightfall is a story that has one of Batman’s most famous moments in it when Bane breaks his back, but a major character in the story like Valley often gets left out of the discussion. This issue was cool to read because it gives Azrael the spotlight as Saint Batman, and we get to see what Gotham would have been like under his reign.
I loved the way that the story unfolded in this issue, and Scott Snyder and Kyle Higgins told it in a way that it felt like the massive ending to a long story that’s been around forever, but you don’t have to read 100 different issues to understand anything. It felt like I was stepping into a well developed universe where these characters have had along stories and I’ve known them well, but I didn’t have to invest in anything other than this issue. The artwork is also amazing and does a good job of making this story feel like it takes place in another universe.
My biggest concern with this issue is the characters that were introduced. Not because they were bad or anything, but more because I’m interested in what the future of them is. In the beginning of the issue, Tempus Fuginaut introduces the idea that he’s looking for heroes to fight in the upcoming crisis and that’s why we’re looking at these earths. This is where I encourage you to read the book and come back, because there’s some light spoilers here. I thought Bane’s son was a cool character and I love the idea of him joining DC proper for a crisis, but that seems unlikely now. And I loved Bruce Wayne’s presence in this issue and him being a different sort of evil Batman by the end of it, but I’m not sure that we’ll get the chance to see him again either. Overall, the issue was very good and I’d like to see more from this universe, but I’m not sure that we’ll get to. I’m definitely interested in the future of this line, especially with writers like Scott Snyder at the helm.
Writer: Scott Lobdell
Artist: Brett booth
Colors: Luis Guerrero
Letters: Troy Peteri
In the wake of Heroes in Crisis the DC comics phenomenal comic event, Wally West is Dead, well one of him is. Death is not always the end, at least when you’re a time traveling speedster. The first issue left us off with Wally sitting Blackgate prison for the crimes he did and didn’t commit Wally is no way thinking of escape, but Tempus Fuginaut has something to say about that.
The universe is dying and only the fastest man alive can save it. Tempus Fuginaut an interdimensional super being, kidnaped Wally and gave him an offer he couldn’t refuse – save the universe and redeem himself, reignite the beacon of hope. Speaking of hope, Wally finds himself on Earth 23, home of president Superman. The Superman of this Earth is fighting a dark cosmic all black creature composed of dark anti-matter. Wally has the only weapon that can save Superman and his planet.
This issue dramatically surpassed my already high expectations, full of action packed fight scenes. We see Flash take on some pretty heavy hitters! They are no match for the Scarlet Speedster, one of my favorite parts involved some thunder and lightning! Deep emotional tugs at the heart strings while we see Wally struggle with his failures and past mistakes. Can Wally West truly redeem himself? Will he allow himself to be redeemed?
Also the last page reveal will have Flash fans screaming!